"The past actually happened, but history is only what someone wrote down." - A. Whitney Brown
Monday, October 31, 2016
Happy Halloween!
Monday, October 24, 2016
Article Round-Up
Halloween is next week and I'm still trying to think of something appropriately Halloween-y to talk about without just doing witches or something like that. We'll see what I come up with... In the mean time, here's some things I've found interesting recently, including information about Halloween in the Gilded Age. Another link discusses Augustus Saint-Gaudens, who I recently read some about in David McCullough's The Greater Journey: Americans in Paris, which I'd really recommend.
Monday, October 17, 2016
Cléo de Mérode
Well, I’m getting away from Icelandic topics now. I may get back to some, we’ll see, but I keep finding subjects that interest me and I want to learn more about and share with someone, so we’re moving on. I follow a lot of historical pages or just interesting pages on facebook, and a lot of times there are brief articles about things that sound interesting, so I save them to remember for later, possibly for a post of my own. Today’s topic was found in that way. I don’t remember exactly where I saw something about Cléo de Mérode (maybe 5-minute History?), but she sounded interesting and has a unique look, so here we are.
Cléo de Mérode, called Lulu by her parents, was born Cléopatra Diane de Mérode on September 27, 1875, probably in Paris, but maybe in Biarritz or Bordeaux. Her father, Carl (or Karl), was an Austrian landscape painter, and “styled himself Freiherr von Merode (Baron Merode) and claimed descent from the old and noble Belgian family of de Merode” and “Her mother was a former Viennese actress” (1).
When Cléo was eight, she was sent away to study dance. She made her professional debut at age eleven, and by age sixteen she was famous - but not necessarily for her dance. Cléo became famous for her hairstyle. In the late 1880s and early 1890s, women wore their hair piled on top of their heads, maybe with the front portion parted, maybe with bangs, but all up mostly away from their face. Cléo wore her hair low in back, and parted right down the middle, hair covering her ears (this led to a rumor at one point that she didn’t even have ears). This different hairstyle made her famous and was adopted by admirers.
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1880s hairstyle |
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1890s hairstyle |
Cléo had her image on postcards, playing cards, you name it. She was featured in “Behind the Scenes at the Opera” at the Musée Grévin, even though she was only a member of the coryphee! (2) (I had to look up what the coryphee is, as I don’t know dance. A member of the coryphee is “a member of a ballet company who dances usually as part of a small group and who ranks below the soloists” [3].)
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Cléo, by Vazquez, and the sculpture, La Danseuse |
Alexandre Falguière used Cléo’s likeness in his sculpture La Danseuse (The Dancer) (now at the Musée d’Orsay). He claimed, or at least there were rumors, that the sculpture was modeled from her body, but “facing a public scandal, she claim[ed] she only lent her features to the sculpture’s face” (4). In addition to this sculpture, Cléo had her portrait done by Henri Toulouse-Lautrec, Charles Puyo, Alfredo Muller, and Giovanni Boldini. She was photographed by Felix Nadar and other “illustrious photographers of the day” (5).
In 1896, King Léopold II of Belgium went to the ballet in Paris and saw Cléo perform. He became completely enchanted with her, leading to gossip that she was his mistress. The king already had two children with a rumored prostitute, so this association with the king damaged Cléo’s reputation. Despite this, or maybe because of it in a way, Cléo was still able to become an international star.
In 1897 Cléo travelled to the United States, appearing for a month at Koster and Blat’s in New York. Her appearance was heavily anticipated, but her performance was disappointing. “The press was unkind in reviewing her performances, praising her beauty but saying that she could not dance or act” (6). Despite the letdown, Cléo still made over forty times her regular monthly Parisian salary.
Cléo continued her tour, continuing to various countries around the globe. She danced for King Chulalenghorn of Siam, doing a Siamese style dance with Parisian highlights. She became popular in Austria and Germany, so much so that a character in the German movie Frauen der Leidenschaft was based on her. In Vienna, Austria, she caught the attention of Gustav Klimt (this relationship is fictionalized for the 2006 movie, Klimt). Back in Paris, Cléo took a risk and performed at the Folies Bergère, earning her a whole new following. In 1902, she went to England for the first time, performing various national dances at the Alhambra. In 1904 she toured Sweden, Norway, and Denmark.
Cléo kept dancing until her early fifties. She retired to Biarritz, where she gave dance lessons until she was in her eighties. Through this time, as she was growing older, she sculpted small figurines of her own, and sold them. In 1955, she published her autobiography, Le Ballet de ma vie (The Dance of my Life).
Also in 1955, Cléo took Simone de Beauvoir to court and won. Cléo sued her for “wrongly describing Cleo in public as a prostitute who had taken an aristocratic-sounding stage name as self-promotion. Cleo’s defence was that she was a professional dancer and member of the old, noble, and distinguished de Merode family” (7). While Cléo did win, she only won one franc in damages because “the judge found that Cleo had permitted the rumors during the course of her career for their publicity value” (8). The judge did also order that Cléo’s name would be struck from all future editions of de Beauvoir’s The Third Sex.
Cléo never married and never had any children. There were rumors of her engagement to various famous and/or rich men throughout her life, but none were true. She did have two romances in her life, but both ended tragically; one when her lover died from typhoid, and the other left her for another woman.
Cléo de Mérode died in 1966. She is buried in Père Lachaise cemetery in Paris, with her mother. (She lived with her mother until 1899, when her mother died.) There is a likeness of Cléo in mourning over the joint tomb.
1, 2, 6, 8 - Cleo de Merode (1875-1966)
3 - coryphée
5 - Cléo de Mérode
Monday, October 10, 2016
"Columbus Day - How is That Still a Thing?"
Today is Columbus Day and so I thought it might be a good idea to share some articles and a video about today and the issues people have with it.
I will try and have a real post next week for you. I may have underestimated how exhausting working full-time would be... lol
Monday, October 3, 2016
Article Round-Up
I'm not quite sure what happened last week. I think I saved my post (here and elsewhere) rather than scheduling/publishing them, but at any rate there wasn't a post last week! :( Here's the post that should have been, plus a few new links since I had to edit it anyhow.
Monday, September 19, 2016
Aud the Deep-Minded
Today I
start a new job – by the time you’re reading this I’ll be half way through my
day! The new job is regular hours, so it
shouldn’t affect my ability to do this blog too much. I won’t be able to do research at work
anymore, but that’s about it, and with regular hours I’ll be able to budget my
time to keep this up regularly. I’m
really excited to start this new job and I think that will help create
excitement throughout the rest of my activities. J
Today’s
subject is another in our Icelandic mini-series (possibly the last entry, I’m
not sure yet). We have a woman this
week, but there isn’t a whole lot of real information about her, so this will
be relatively short. Also, not really
any images… I found one picture related,
but that’s it. She is mentioned in a
number of Sagas though, so you can always read about her more in those.
Auður
djúpúðga Ketilsdóttir, also known as Aud the Deep Minded, Unn, Aud Ketilsdatter, or Unnur
Ketilsdottir, was a ninth century settler of Iceland. Her marks are still visible in Iceland, which
will be mentioned later. Other than
ninth century, we’re not exactly sure when she lived. The only concrete date I found was that she
settled in Iceland around 892 (1); we don’t know exactly how old she was then,
but she had adult grandchildren by then, so she had to be fairly old. Before this, though, she had quite a life.
Aud was the
second daughter of Ketill Flatnose, a Norwegian Viking military commander. Ketill fled “Norway for Scotland to escape
the tyranny of King Harald Fairhair” (2).
Aud married Olaf (or Oleif) the White, a son of King Ingjald, the
self-proclaimed King of Dublin. Aud and
Olaf were the parents of Thorstein the Red.
Olaf was likely killed in battle; at any rate, Aud and Thorstein went to
the Hebrides. Thorstein conquered most
of Northern Scotland and became a Viking chieftain. Other chieftains plotted against Thorstein,
though, and betrayed him and killed him in battle.
When Aud
heard about Thorstein’s death, she secretly commissioned a Knarr to be built –
a ship generally used for Atlantic crossings.
When the ship was completed, Aud sailed to Orkney and then on to
Iceland. She commanded twenty to thirty
men on the ship, and was “respected, capable, independent and strong-willed”
(3). In addition to Aud and the men, the
ship also helps prisoners. When they
arrived in Iceland, Aud freed these men; these freed-men had a status between
slave and free-born and had limited rights and abilities. Aud gave these men land to farm, though.
Aud mostly
claimed areas in Western Iceland for her and those with her, especially around
Búðardalur. Many places in this area still have the names that relate to
Aud. Breiðafjörður, Breakfast Headland,
is where Aud stopped to eat breakfast.
Kambsnes, Comb Headland, is where she once lost a comb. Krosshólaborg is a large, prominent hill
where Aud erected crosses, and where a modern cross is today. (4) Krosshólaborg is important in Aud’s
story. Aud was a baptized Christian and
is credited with bringing Christianity to Iceland.
Aud was one
of the first great Viking matriarchs.
When all her male relatives died, she didn’t let this stop her; she did
what she wanted to do and was successful at it.
Because of her wise actions she got the moniker “Deep minded”. Her descendants gave us her stories through
the sagas, making her an important and relevant woman. Aud is featured in the Landnámabók, Njáls
Saga, Laxdæla Saga, Eyrbyggja Saga, Eiríks Saga Rauða, and Grettis Saga.
Monday, September 12, 2016
Article Round-Up
Happy belated Labor Day (hence no post last week). Here's what I've read and found interesting this week:
This is a bit of old news, but you can watch a bunch of Paramount movies on YouTube.
(Hopefully this turns out okay... I've been having issues with the formatting on this one for some reason...)
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