Olive Thomas has popped up for me a
few times over the last few years. I
don’t remember where I first heard of her; I know I’ve seen that picture of her
before. She resurfaced for me at the end
of June, when I read The Poisoner’s
Handbook by Deborah Blum. To give
away her ending, Olive Thomas died in Paris from accidentally taking a
bichloride of mercury potion. Before her
tragic end, Olive had been a Ziegfeld Dancer and a successful actress for
Selznik Studios, appearing or starring in twenty-four films in just five years. But, back to the beginning.
Oliva R. Duffy (or Oliveretta
Elaine Duffy, depending on who you’re going by; Olive claimed Oliveretta), was
born in Charleroi, Pennsylvania on October 20, 1894, the oldest of James and
Rena Duffy’s three children. James was a
steelworker, and died when Olive was just twelve. After his death, the family moved and Rena
got a factory job. When Olive was
fifteen she left school in order to work and help support her family; she sold gingham
at a department store. In April 1911,
when Olive was 16, she married Bernard Thomas.
During their marriage he worked at a steel car company while Olive took
care of their home. By 1913, she had
separated from Bernard, and had moved to New York to live with a family
member. Again, she worked at a
department store to support herself.
Olive finally divorced Bernard in September 1915; Olive cited desertion
and cruelty.
In 1914,
Olive entered “The Most Beautiful Girl in New York City” contest which was being
sponsored by Howard Chandler Christy, a commercial artist. With her “shining bob of curly dark hair, big
violet-blue eyes, and a pale heart-shaped face,” she won (1). Winning the contest established her as an
artists’ model and she was eventually being featured on magazine covers such as
the Saturday Evening Post. One of the
artists Olive modelled for was Harrison Fisher.
Fisher knew Florenz Ziegfeld at this time and recommend Olive to Ziegfeld,
who hired her as one of his Ziegfeld Follies.
Olive always claimed she just marched right up to Ziegfeld and asked for
the job. However it happened, Olive
debuted in the Ziegfeld Follies in 1915.
Her popularity in the Follies got her cast in Midnight Frolic, a more risqué
show for famous male customers with money to spare on the performers. It was rumored that the German ambassador
gave Olive a $10,000 pearl necklace.
While Olive
was employed by Ziegfeld, she was also having an affair with him. Ziegfeld was married to Billie Burke at the
time (Glinda in the Wizard of Oz). Olive
broke off her relationship with Ziegfeld when he wouldn’t divorce his wife and
marry her instead. Around this same
time, Olive was painted by Alberto Vargas, becoming the first Vargas Girl; the
future famous pin-up artist was working for Esquire at the time. Ziegfeld purchased Vargas’s painting, Memories of Olive, and hung it in his
office. Ziegfeld may even have
commissioned the painting, but sources differ; Vargas also kept a copy of the
painting.
In July
1916, Olive signed with the International Film Company, making her debut in “Episode
10” of the Beatrice Fairfax serial. Olive’s full length debut came the next year
in A Girl Like That for
Paramount. Olive would eventually help
to get her brothers work in the movies too, after their service in World War
One; one as a cameraman and one as an assistant director.
Late in
1916 Olive met Jack Pickford at a beach café; they eloped that October in New
Jersey. Jack adored Olive, but his family
did not approve of their relationship; Olive was viewed as “a cheap chorus girl
from a poor steel town” (2). Both Olive and Jack were known for partying and,
although they loved each other, their relationship was tumultuous, filled with quarrelling
over Jack’s supposed affairs. Additionally,
since they were both acting at the time, Olive and Jack could go months without
seeing each other. When they met up
again they would exchange expensive gifts, “like cars and jewelry” (3).
In 1917,
Olive signed with Triangle Pictures. After
her signing, news broke that she was engaged to Jack Pickford. While they’d secretly been married since
October, Olive didn’t want it to seem like she was only successful because of her
connection to the Pickfords; Jack’s older sister was the famous actress Mary
Pickford. At the end of 1918, Olive
signed with Selznik Pictures Company, hoping she would finally get some more serious
roles to play. Her first film for
Selznik, Upstairs and Down,
established her as more serious and sexy.
According to Sarah Baker, co-writer and –producer of Olive Thomas: Everybody’s Sweetheart, Olive
“served as a bridge between the reserved, Victorian heroines played by Mary
Pickford (her husband’s sister) and the hot Clara Bow, a sexy, full-blown flapper”
(4).
In 1920,
Olive starred in The Flapper. This was a new direction for women in film;
she was the first actress to play a flapper, and the film was the first to
portray the flapper lifestyle. The film
made Olive a celebrity almost overnight, and was one of her most successful
movies. In August and September of 1920,
Olive and Jack went to Paris as a second honeymoon, staying at the Hotel Ritz. Olive had just finished shooting Everybody’s Sweetheart, which would come
out that October, so they both finally had some time to get away.
That’s
where I’m going to leave off today. If I
put everything about Olive in one post it would be ridiculously long, and
nobody likes reading really long blog posts.
So, next time, Olive’s poisoning, hospitalization, funeral, and the
aftermath. I’ll leave you with this: The Flapper on YouTube. Maybe you can watch it between posts or after
both or… whenever. Until next time.
1 Deborah Blum, The Poisoner’s Handbook: Murder and the Birth
of Forensic Medicine in Jazz Age New York (New York: Penguin Books, 2011),
106.
2, 3, 4, Marylynne Pitz, “OliveThomas, the original ‘Flapper’ and a Mon valley native, still fascinates,” Pittsburgh Post- Gazette, September 26,
2010.
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